Tag Archives: Revision

Take a Hike

When you crack a good book, it’s easy to forget that someone toiled long, lonely hours to produce what you now so effortlessly hold in your hand. At some point somewhere, a writer sat alone in a room thinking, imagining, creating. He put pen to paper (or fingers to keyboard) with no guarantee of success, no promise of payout, no rules or roadmap to follow. Yet still he set out, steeling himself for the long, arduous road ahead, doing his damnest to remember always that the reward is in the journey, not the destination.

ups and downsIn this way, writing is much like hiking: there are a hell of a lot of ups and downs along your way to the summit, but that’s what makes the whole experience so profoundly satisfying. Along the trail you may encounter magnificent vistas where the entire mountain range spreads out before you, or you might find yourself mired in dark, choking forests where you can barely see ten feet in front of you. There are bleak, windswept ridges and dank, pungent hollows. Places where life springs abundant, others where it struggles to gain a toehold. Later, when you show people your pictures, they see you smiling atop some proud peak, exhausted but elated, battered but not beaten. Despite all the hard work, you accomplished what you set out to accomplish. And success is a beautiful thing, something people love sharing and appreciating.

backpack gearLess glamorous and typically uncelebrated are the countless hours you spent preparing for your adventure. The trips to EMS or REI or LL Bean, where you selected the right boots, the perfect pack, the vast array of backcountry gear you’ll need to survive on the trail. The practice hikes you took in the forest preserve or state park near your house. The route you mapped out, then double and triple checked. The emergency contacts you notified of your planned whereabouts. The field first aid course you completed…just in case. And, certainly not least of these, all the mental calisthenics you engaged in while convincing yourself that you were up to the momumental task ahead.

trash-binSimilarly, no one ever sees an author’s first or second or tenth drafts. No one pores over his outlines and notes, seeing all the scratch marks and revisions. No one counts the crumpled sheets of paper in his wastebasket or the deleted paragraphs in his computer’s recycle bin. No one realizes how many nights he’s lain awake in bed contemplating a particularly irksome character conflict or plot hole. No one really grasps that for every minute you spend reading, the author spent an hour or two or ten writing, revising, and polishing those same words. Instead, all the reader sees – because it is all the reader is meant to see – is the author’s triumphant summit photo, the culmination of all his hard work, that perfect snapshot.

Summit

This is the magic of good writing. It allows us to pretend that all the author’s prep work, all his practice and toil, all his false starts and missteps, never occurred. It tricks us into believing that his story always existed, a perfectly-wrought conflict between perfectly-formed characters in a perfectly-rendered world. It’s an expert illusion, one that authors and, indeed, all types of artists, have been practicing for millennia. And we’re happy being deceived. When words flow effortlessly off a page or when brushstrokes come alive on a canvas or when the very music we listen to seems to dance with life, we forget about the writer or painter or musician. All we see is beauty, pure and magnificent, an expression of something we cannot ourselves articulate, but to which we can all relate in some primal way.

For now, I’m still gathering my gear, planning my route, building stamina and strength. I’ve summitted some minor peaks in the meantime: I’ve finished my first novel, built this website and a small but thriving Facebook fan page, written several short stories I really like, and continued sending out submissions in the hopes of getting published…all while pressing forward with my second novel. I know I’m making progress even though the summit isn’t yet in sight. I can feel it out there, waiting.

Even if you don’t tag along with me through all my preparations, all my practice runs, I hope you’ll join me at the summit someday. I hear the view’s incredible.


Multitasking

When it comes to writing, I’ve never been much for multitasking. Just ask Marta. If inspiration is flowing, if I’m in the groove, it’s best to leave me alone until my thoughts play out and I find a good stopping point.

With this in mind, I now find myself contending with an unfamiliar challenge: managing multiple writing projects at the same time. While writing and revising Bent, that was my one and only focus; I was 100% invested in that one project and had no distractions. It was the same when I was preparing and sending my initial round of submission material early last spring. And with no diversions, I worked efficiently and purposefully, moving forward in a measured way each day.

Then, in April, I started writing Time Lapse. Suddenly I had two irons in the fire for the first time, and now, on top of writing my new story and building my online platform, I’m trying to find time to work on query letter and manuscript revisions for Bent, as well. So far, I’ve really struggled with this juggling act. I don’t want to stop working on Time Lapse in order to go back to Bent, but I know I need to get back into Bent in the interest of tightening things up and resolving some point of view issues before I send out more submissions.

I’ve been giving some thought to the notion of setting aside specific times to work on each project, and this is what I’ve come up with: my commute on the train will be devoted to Time Lapse, lunch breaks to Bent, and evenings to my online activity. Hopefully with this schedule, I can move forward in that same efficient, purposeful manner I applied to my initial project while avoiding the gnawing anxiety I’ve been feeling as a result of neglecting two projects in order to focus all of my efforts on just one. After all, Time Lapse is a long way from being finished and in the meantime, I really want to continue querying Bent with the goal of publishing my first book!

Let’s see if I can become a multitasking master!


Checking in after a long absence

Two years have flown by so fast it’s scary.

I completed the draft of my first novel – a sci/fi thriller called Bent – last fall. Writing it, while incredibly gratifying, was probably the most difficult thing I’ve ever done. The writing, itself, wasn’t hard. That’s not to say I didn’t toil over some scenes until my eyes went blurry, but the true challenge was sustaining my spirits over the course of the eighteen months it took to complete. Some days I was awash with confidence, certain that I was penning the next chart-topper. Other days I knew without a doubt that whatever drivel I’d managed to spout up to that point would never see the light of day, consigned to some literary purgatory far, far from any eager readers. The highs were great; the lows excruciating.

Yet on I wrote, one word after another, weaving sentences into paragraphs, pages into chapters, until, at last, on September 7, I wrote the final two words every author longs to see at the bottom of the page: the end.

After letting it marinate for a month (thanks for that suggestion, Stephen King!), I began revising. Those who know me are aware that I harbor an irrational fear of the revision process, dating back to high school when I was required to chop a twenty-page paper to ten – the most difficult writing assignment I ever undertook (until Bent, of course). Consequently, I wrote my draft with painstaking slowness, hoping that I was nailing every word so that I wouldn’t have to revise a thing. Yeah, that didn’t work.

To my surprise, I really enjoyed revising, and I can laugh now when I remember how frightened I was to begin. Between October and December, I chopped nearly 25k words (of the original 130k) from the draft while cleaning, polishing, and reworking the parts that remained. Just before Christmas, satisfied that I’d whipped it into shape, I printed five copies for my first beta readers. Up until that point, no one had read a word. Nerve-wracking!

Initial response has been very positive. I’ve fielded a number of helpful criticisms, some of which I implemented, some of which I filed away as “that’s interesting, but I don’t think I’m going to use it.” For the most part, I just wanted to know whether the story was entertaining and the characters believable. From the feedback I received, the answer is yes.

In January I began working on my query letter (for those who aren’t familiar, this is a one-page pitch to literary agents consisting of a high-level synopsis of the story, an introduction to me as the author, and an explanation of why I’m contacting that specific agent for representation). I soon discovered that this little one-page letter was, in many ways, more difficult to write than the book itself. When you have 350 pages to make an impression, there’s not nearly as much pressure to make each and every word pop as there is when you’ve got one lonely page to sell yourself and your work. I joined an online forum and got some great feedback which helped me hone my query into a sharp little missile of self-promotion, then began sending it out.

Just when I thought I’d jumped through the last hoop, I discovered that many agents also request a detailed plot synopsis (yeah, try condensing an entire novel into a page or two while maintaining narrative voice) and author bio. Back to the drawing board I went and produced these two additional submission samples.

I’ve now queried nine agents, received three rejections and one request for a partial manuscript for further review. Upon receiving the first rejection, I could scarcely contain my excitement. Many agents have a “if we’re not interested, we won’t reply” statement on their websites, so the fact that someone took the time to write back and say “thanks but no thanks” was incredibly validating. I’d been noticed! You can imagine how excited I was when an agent e-mailed me to tell me how intriguing my premise was, asking to see more. So the waiting game continues. Nothing moves particularly fast in this business and I’m just going to have to deal with that. But damn it, I want to know! Meanwhile, I’m continuing to search for agents and sending out additional submissions. After all, John Grisham received something like 28 rejections for A Time to Kill before someone finally bit. And J.K. Rowling only made it when an agent’s daughter picked up the manuscript he’d brought home, read the first three chapters, and promptly asked for the rest. You just never know when lightning will strike.

And last week, I began my next project, another sci-fi/thriller tentatively called Time Lapse. Regardless of what happens with Bent, I’m moving forward, pursuing my passion. What more can I ask for?

I intend to make regular updates to this blog now, describing my progress, thoughts, and challenges as I write Time Lapse while also tracking my attempt to publish Bent. I hope you find this interesting and will follow along with me. Please feel free to share this link, too, with anyone you believe might enjoy it.

Off I go!

ETH