Tag Archives: Goals

Take a Hike

When you crack a good book, it’s easy to forget that someone toiled long, lonely hours to produce what you now so effortlessly hold in your hand. At some point somewhere, a writer sat alone in a room thinking, imagining, creating. He put pen to paper (or fingers to keyboard) with no guarantee of success, no promise of payout, no rules or roadmap to follow. Yet still he set out, steeling himself for the long, arduous road ahead, doing his damnest to remember always that the reward is in the journey, not the destination.

ups and downsIn this way, writing is much like hiking: there are a hell of a lot of ups and downs along your way to the summit, but that’s what makes the whole experience so profoundly satisfying. Along the trail you may encounter magnificent vistas where the entire mountain range spreads out before you, or you might find yourself mired in dark, choking forests where you can barely see ten feet in front of you. There are bleak, windswept ridges and dank, pungent hollows. Places where life springs abundant, others where it struggles to gain a toehold. Later, when you show people your pictures, they see you smiling atop some proud peak, exhausted but elated, battered but not beaten. Despite all the hard work, you accomplished what you set out to accomplish. And success is a beautiful thing, something people love sharing and appreciating.

backpack gearLess glamorous and typically uncelebrated are the countless hours you spent preparing for your adventure. The trips to EMS or REI or LL Bean, where you selected the right boots, the perfect pack, the vast array of backcountry gear you’ll need to survive on the trail. The practice hikes you took in the forest preserve or state park near your house. The route you mapped out, then double and triple checked. The emergency contacts you notified of your planned whereabouts. The field first aid course you completed…just in case. And, certainly not least of these, all the mental calisthenics you engaged in while convincing yourself that you were up to the momumental task ahead.

trash-binSimilarly, no one ever sees an author’s first or second or tenth drafts. No one pores over his outlines and notes, seeing all the scratch marks and revisions. No one counts the crumpled sheets of paper in his wastebasket or the deleted paragraphs in his computer’s recycle bin. No one realizes how many nights he’s lain awake in bed contemplating a particularly irksome character conflict or plot hole. No one really grasps that for every minute you spend reading, the author spent an hour or two or ten writing, revising, and polishing those same words. Instead, all the reader sees – because it is all the reader is meant to see – is the author’s triumphant summit photo, the culmination of all his hard work, that perfect snapshot.

Summit

This is the magic of good writing. It allows us to pretend that all the author’s prep work, all his practice and toil, all his false starts and missteps, never occurred. It tricks us into believing that his story always existed, a perfectly-wrought conflict between perfectly-formed characters in a perfectly-rendered world. It’s an expert illusion, one that authors and, indeed, all types of artists, have been practicing for millennia. And we’re happy being deceived. When words flow effortlessly off a page or when brushstrokes come alive on a canvas or when the very music we listen to seems to dance with life, we forget about the writer or painter or musician. All we see is beauty, pure and magnificent, an expression of something we cannot ourselves articulate, but to which we can all relate in some primal way.

For now, I’m still gathering my gear, planning my route, building stamina and strength. I’ve summitted some minor peaks in the meantime: I’ve finished my first novel, built this website and a small but thriving Facebook fan page, written several short stories I really like, and continued sending out submissions in the hopes of getting published…all while pressing forward with my second novel. I know I’m making progress even though the summit isn’t yet in sight. I can feel it out there, waiting.

Even if you don’t tag along with me through all my preparations, all my practice runs, I hope you’ll join me at the summit someday. I hear the view’s incredible.


Start your engines!

Last year I wrote a blog post about speed writing. I’ve never been a particularly fast writer (it took me eighteen months to draft my first novel, Bent), and it’s been an ongoing struggle for me to quit editing so much as I write. Without even realizing it, my right-hand middle finger darts up to the delete button, flipping me off (and cackling maniacally, I imagine) as it erases the offending word, phrase, or sentence I just wrote. It’s as if that finger has a mind of its own, as if it thinks it’s better than me. I try to keep the little bastard on a short leash, but as soon as I relax my guard, there it goes again, running off to undo all the hard work I just did.

middle finger

What’s the big deal with editing as you write, you might ask? For some, I’m sure, it works just fine, but I’ve come to the conclusion that writing slowly – that nitpicking every last word – is akin to committing inspirational suicide. In the few seconds it takes me to correct a typo or rephrase something I just wrote, my train of thought careens off the tracks, coming to a shuddering halt. Sure, another train will come thundering by eventually, but who knows when that will be? Seconds, perhaps, or maybe a few long minutes as I sit staring at my monitor, the blinking cursor reminding me that whatever groove I was in has vanished…maybe for good.

Train of Thought

Writing Bent, my quota was 350 words (about 1 typeset page) per day. I had good days when I’d pump out double or triple that amount, but I also had bad days when I was lucky to hit triple digits. In the end I finished the book, but sometimes I wonder how many great ideas I lost because I was simply too busy backspacing to allow my imagination free rein. Lots, I’m sure, which is a damn shame.

After many months trying to train myself to let go and just write, I finally acknowledged that perhaps I needed some help. Thus, while perusing a number of books on the topic, I stumbled upon Alan Watt’s The 90-Day Novel. An award-winning fiction writer and founder of LA Writers Lab, Watt has compiled a guide for writers who have stories to tell, but who get bogged down in the process of telling them. Through a series of daily stream-of-consciousness exercises, Watt teaches you to inquire into the world of your story, to explore your characters and their motivations while “holding it all loosely” so as not to choke the life from it. He advocates trusting your instincts, giving yourself permission to write poorly [while drafting], and remembering that there are absolutely no wrong answers here. This is your story.

I’m thrilled to report that in the thirteen days I’ve been following this program, I’ve written 40k words. (By way of comparison, it took me six months to hit that mark while writing Bent.) Are they pretty? No. Lyrical? Uh uh. Ready to hit the presses? Definitely not. But you know what? I don’t care! I’m writing! I’m allowing inspiration to flow freely from my fingertips, and most of the time I can barely keep up as the ideas pour out. And since I’m holding it all loosely instead of trying to force it, I’m discovering new possibilities I hadn’t previously considered. My characters have come to life in a really exciting way, and have essentially begun telling their own story. I don’t worry if I’m not sure what happens next; I trust that together, my characters and I will figure it out.

Formula One World Championship

I’ve been writing seriously for three and a half years and for the most part, have loved every minute of it. The past two weeks, though, have been especially fun and I’m hopeful that, with Watt’s guidance, I’ve turned a new leaf. If I keep writing at this pace, I’ll finish drafting my second novel, Time Lapse, late this summer. My engine is revved and I’ve got my eyes on the finish line.

Here we go!


Put your heart away, kid. You’re getting blood everywhere.

My friend and fellow writer, Andre L. Davis*, is a self-described recovering marketing professional. For the past two+ years, we’ve enjoyed frequent meetings of the minds around town, talking shop over dinner and beers at some of our favorite local hangouts. It’s particularly fun since Andre and I, though we both fall under the sci-fi banner, write completely different kinds of sci-fi. He’s into epic, sweeping stories that span interstellar distances, pitting one civilization against another. Dark, urban biopunk is more my speed. But for both of us, the goal is the same: to write excellent stories that speak to you, that sink their teeth in and refuse to let go. And just to complicate matters, we must then, as relative unknowns, figure out how to get your attention, how to stand out amidst the constant bombardment of “Buy me! Read me! Try me!” messages that saturate our lives every day. It’s like trying to be heard over the roar of a jet engine at full throttle.

Can you hear me now?

Can you hear me now?

For better or worse, I’ve always been a wear-my-heart-on-my-sleeve kind of guy. Sometimes this gets me into trouble, like when my mouth starts running a step or two ahead of my brain or when I cave to some irrational, passion-fueled fancy, but by and large, I’m grateful for this trait. The highs and lows are beautiful yet brutal, providing perfect fodder for my work. And because I lead with my heart, wearing it around for everyone to see – and especially because I’ve always been like this – I think sometimes I forget that not everyone feels the same.

 heart on sleeve

So here I am: inexperienced, zealous beyond belief, SHOUTING over the jet roar as my heart throbs wildly on my sleeve. I know I’m spewing my mind’s bloody gore every which way as I try to simply. be. heard. but I hope you’ll excuse me; I’ve never been any other way.

Thus far, I’ve spent a lot of time writing here (and on my Facebook page) about who I am, where I come from, and what I’ve experienced these past three years as I’ve written my fingers to the bone, chasing my artistic ambitions. But who really cares about all that? My family and friends, sure, but they have a vested interest. They’re biased. What about other writers? I know I like reading about the writing process, about what others experience as they toil away behind the scenes, but in all likelihood that’s because I, myself, am a writer. I geek out to that stuff. The typical person, though, who ekes out a little slice of quiet time each day to read, probably doesn’t care so much about how my latest draft is coming along or how many rewrites I’ve completed. They just want a riveting story to read or a new nugget of knowledge to absorb. As for all this “writing process” mumbo jumbo, that’s all well and good, but – ahem – when can we read the story? When are you going to give us something juicy to chew on? Please and thank you.

Please-Thank-You

Last week during a discussion about this very topic, Andre (in his recovering-marketing-professional wisdom) suggested that I spend some time curating interesting content on my website and Facebook page. Links to photos, articles, and stories that I find fascinating, funny, or just a pleasant diversion from a day otherwise occupied by routine. The rationale? If I, as a writer, science fiction fan, and lover of all things science, find these topics of interest, other people who share my interests will, too. That builds value in my brand, my name, my presence. I’m providing something that people wish to consume, which is exactly what writers (all artists, for that matter) must do.

With Andre’s advice in mind, I’ve already started revamping my Facebook page. Within the past week, I’ve shared at least half a dozen links that will help give you some idea what interests me and what you can expect from me. Eventually, you’ll be able to step back and see how all these little snapshots fit together to form a cohesive picture, a mosaic of my mind.

Of course I’ll still post updates about my writing milestones, but that won’t be my sole focus. I’m going to tuck my heart away for a little while in order to give you a glimpse of my mind.

Hope you enjoy the view…


* For more information about Andre and his work, check out his website and follow him on Facebook.


Year of the Horse

I’ve never been a big “what’s your sign” astrology subscriber. I don’t believe in fate and find no comfort in the thought that our destinies are all preordained. I don’t like the idea that I have no agency, no real control to steer my life as I see fit. I prefer the notion that anything could happen at any time, that today might be the day that chance and circumstance – and a little hard work – conspire to open new, fantastic doors. To me it’s reassuring to know that tomorrow, everything could change.

In the waning days of 2013, I decided that 2014 was going to be a great year. Maybe that sounds arrogant. I don’t intend it to, and I’m not delusional: I know this doesn’t mean every day will be a magical joyride or that bad things won’t happen. What it does mean, though, is that I’m going to focus all my effort on making good things happen, on extracting the most value possible from this year of my life. Luck, chance, and timing will play their part, sure, but I intend to do everything within my power to help them along.

 2014-Horse

According to the Chinese zodiac, 2014 is the year of the horse. I find this particularly interesting because 1978 – the year I was born – was also a year of the horse. Fitting, then, that I’ve chosen this year to reinvent myself, to make something of this dream I’ve been nurturing for the past three years, to witness myself reborn as a writer. This is the year when, instead of thinking of myself as an aspiring writer, I will begin thinking of myself as a real writer with real stories to tell. Stories that I love creating and that I hope you will love reading.

With that, here are a few updates on my current projects:

  • Bent – I finished my first novel last spring and have been searching for an agent to represent me since that time. I’ve received a number of rejections, but also some encouraging feedback. The hunt continues and I’m optimistic that I’ll find someone this year who’s as excited about Bent as I am.
  • Time Lapse – After overcoming some challenges with the story line in December, I’m making good progress on my second novel. I have a clear (yet flexible) outline to guide me as I work through the back half of the story towards an ending which I hope will be both unexpected and unforgettable.
  • Short stories
    • The Day I Learned to Fly – My debut short about a man who believes the key to happiness is flight. Currently on submission to a handful of literary magazines.
    • The Unrapture – A collaborative venture with my friend, Dan Preston, The Unrapture asks what might happen if only the faithless are saved. Currently in progress and, when complete, I’ll submit to a select list of sci fi publications.

Last but not least, I’m very excited about the recent surge of online interest in my work and I’d like to keep the momentum rolling. To this end, I’ve decided to announce a contest! Here are the details:

One lucky winner will be selected to collaborate with me on a short story. This is your opportunity to get in on the ground floor of the creative process, brainstorming plot and characters, helping me shape our concept into a polished final draft. You’ll be credited as a co-writer and will split any profits from publication 50/50. And best of all, one day when my books are tearing up the bestseller charts (fingers crossed…), you’ll be able to impress your friends by saying, “I wrote a story with that guy!”

To enter, all you have to do is help me spread the word about my Facebook author page. Share a link with your family and friends, then send me a quick message to let me know. For every share, your name will be entered in the drawing; the more you share, the greater your chances of winning! The winner will be selected when I reach 500 likes.

Thank you all for your support. For a (yet) unpublished writer, it means everything. It keeps me going on the bad days and motivates me a little more on the good. Together, let’s grab the reins and make 2014 one hell of a year!

Evan


Chapter One is done!

My attempt at speed writing is yielding overall positive results. Today, a little more than two weeks since I put “pen to paper,” I finished chapter one. Is it pretty? Not so much, but the gist is there. The skeleton is formed, and later I can go back and fill in some of the meat. The important part is that the first draft of my first chapter is on paper.

As far as my daily quota, well, I didn’t hit 700 every day, but I wrote something every day. In the end, I’m satisfied with that. The quota is a good guideline, a goal to focus on, but when I don’t hit it, I need to remember not to beat myself up. Even if I produce only a handful of words in a given day, those are a few words that didn’t exist the day before. Forward progress is the most important thing, and so far, I think I like this whole speed writing thing. I definitely feel freer than when I was writing Bent, constantly pausing to imagine a scene or character or conversation in painstaking detail. Now, I’m able to let my fingers fly, unconcerned with beauty at this point, only focusing on the story. The rest will come.

Here’s a roundup of my daily production this week (daily/total word count):

4/15: 928/2856
4/16: 807/3663
4/17: 735/4398
4/18: 135/4533 (my head a little worse for the wear after Marta’s b-day celebration…)
4/19: TBD

Not bad considering that it took me nearly five months at the keyboard to write the first ~28k words of Bent. So far I’m moving at twice that pace. Good stuff.

Oh, did I mention my wedding is in eight days?! Wonder if I can cap off Chapter Two by then…?

Happy Friday, everyone!

ETH


New story, new quota

Shooting for 700 words per day (doubled from my last project) to help keep me moving forward. And copping to it here will help keep me honest =)

Wrote 928 today for a grand total of 2,856.
Maybe I can break 1,000 tomorrow…

Speed Writing

I am not a speedy writer. Well, let me qualify. Ideas come quickly most of the time, but in transposing them from brain to paper, I bog myself down with questions: Can I word this better? Is this clear? What does this scene really look like? Would this character really say that? This tendency, I believe, originally stemmed from my previously-mentioned fear of revising. Now that I know not to fear revision, though, I see another cause: I feel that if I don’t nail a scene/character/conversation/etc. the first time around, I’ll be building everything that follows upon an unstable foundation. Makes sense, right?

The problem with this line of thinking, however, is twofold. First, while I allow myself to be preoccupied with minute details, the story languishes in the deep recesses of my mind. I home in on one little thing – how does this room look, for example – while ignoring the big picture – what’s happening in this room? Of course I eventually get to the ‘what,’ but sometimes I’ve waited so long that the creative spark has fizzled and then it feels more like pulling teeth than writing.

That brings up the second issue: the longer I toil on a particular scene, the more questions I start asking myself. Don’t get me wrong – questions (and their solutions) are good. But questioning too much breeds self-doubt, and that’s one of the most insidious and omnipresent dangers a writer faces. Second-guessing can drag you to a halt. I remember reading something (can’t remember where now) by an author (can’t remember who) that said (and I’m paraphrasing): “I write as fast as I can to outrun doubt.”

I really tried to spur myself along as I wrote Bent, but despite my best efforts, I still found myself rereading, tweaking, polishing as I went. This was gratifying in some ways, maddening in others. I wonder now how many brilliant ideas flitted right out of head while I was busy correcting a grammar mistake or eliminating a word I’d repeated in the same paragraph – fixes that easily could have been completed during the revision phase rather than the composition phase.

So now, I’m about 3,000 words into Time Lapse, and I really am trying to write differently this time, just to see what happens. It’s not easy to change the way I’ve always written and the method that witnessed the completion of my first book, but I want to give it a try. I want to see if I can outrun doubt and get my vision down on paper before I dress it up and send it out into the world. Maybe I’ll be surprised at the result. Maybe I’ll find that inspiration flows more readily when I don’t try to bottle it right away, but instead let it shoot right out of my brain like some mental fire hose.

Stay tuned.

ETH


Checking in after a long absence

Two years have flown by so fast it’s scary.

I completed the draft of my first novel – a sci/fi thriller called Bent – last fall. Writing it, while incredibly gratifying, was probably the most difficult thing I’ve ever done. The writing, itself, wasn’t hard. That’s not to say I didn’t toil over some scenes until my eyes went blurry, but the true challenge was sustaining my spirits over the course of the eighteen months it took to complete. Some days I was awash with confidence, certain that I was penning the next chart-topper. Other days I knew without a doubt that whatever drivel I’d managed to spout up to that point would never see the light of day, consigned to some literary purgatory far, far from any eager readers. The highs were great; the lows excruciating.

Yet on I wrote, one word after another, weaving sentences into paragraphs, pages into chapters, until, at last, on September 7, I wrote the final two words every author longs to see at the bottom of the page: the end.

After letting it marinate for a month (thanks for that suggestion, Stephen King!), I began revising. Those who know me are aware that I harbor an irrational fear of the revision process, dating back to high school when I was required to chop a twenty-page paper to ten – the most difficult writing assignment I ever undertook (until Bent, of course). Consequently, I wrote my draft with painstaking slowness, hoping that I was nailing every word so that I wouldn’t have to revise a thing. Yeah, that didn’t work.

To my surprise, I really enjoyed revising, and I can laugh now when I remember how frightened I was to begin. Between October and December, I chopped nearly 25k words (of the original 130k) from the draft while cleaning, polishing, and reworking the parts that remained. Just before Christmas, satisfied that I’d whipped it into shape, I printed five copies for my first beta readers. Up until that point, no one had read a word. Nerve-wracking!

Initial response has been very positive. I’ve fielded a number of helpful criticisms, some of which I implemented, some of which I filed away as “that’s interesting, but I don’t think I’m going to use it.” For the most part, I just wanted to know whether the story was entertaining and the characters believable. From the feedback I received, the answer is yes.

In January I began working on my query letter (for those who aren’t familiar, this is a one-page pitch to literary agents consisting of a high-level synopsis of the story, an introduction to me as the author, and an explanation of why I’m contacting that specific agent for representation). I soon discovered that this little one-page letter was, in many ways, more difficult to write than the book itself. When you have 350 pages to make an impression, there’s not nearly as much pressure to make each and every word pop as there is when you’ve got one lonely page to sell yourself and your work. I joined an online forum and got some great feedback which helped me hone my query into a sharp little missile of self-promotion, then began sending it out.

Just when I thought I’d jumped through the last hoop, I discovered that many agents also request a detailed plot synopsis (yeah, try condensing an entire novel into a page or two while maintaining narrative voice) and author bio. Back to the drawing board I went and produced these two additional submission samples.

I’ve now queried nine agents, received three rejections and one request for a partial manuscript for further review. Upon receiving the first rejection, I could scarcely contain my excitement. Many agents have a “if we’re not interested, we won’t reply” statement on their websites, so the fact that someone took the time to write back and say “thanks but no thanks” was incredibly validating. I’d been noticed! You can imagine how excited I was when an agent e-mailed me to tell me how intriguing my premise was, asking to see more. So the waiting game continues. Nothing moves particularly fast in this business and I’m just going to have to deal with that. But damn it, I want to know! Meanwhile, I’m continuing to search for agents and sending out additional submissions. After all, John Grisham received something like 28 rejections for A Time to Kill before someone finally bit. And J.K. Rowling only made it when an agent’s daughter picked up the manuscript he’d brought home, read the first three chapters, and promptly asked for the rest. You just never know when lightning will strike.

And last week, I began my next project, another sci-fi/thriller tentatively called Time Lapse. Regardless of what happens with Bent, I’m moving forward, pursuing my passion. What more can I ask for?

I intend to make regular updates to this blog now, describing my progress, thoughts, and challenges as I write Time Lapse while also tracking my attempt to publish Bent. I hope you find this interesting and will follow along with me. Please feel free to share this link, too, with anyone you believe might enjoy it.

Off I go!

ETH


Gee but it’s great to be back home…

For nearly eight and a half years, I’ve lived 1,000 miles from home.

After all that time, New Hampshire is still home in my mind and heart, as I imagine it will always be in many ways. I often wonder what other people think and feel when they reflect on the meaning of home, for I believe my family and I have had a unique and wonderful opportunity to experience a deep sense of connection and belonging to the place we call home by virtue of our tradition and longevity. The farm is not just a place, but rather a member of our family, replete with 380 years of history and memories. It shares its story with me every time I visit, not through spoken language, but by subtler means: a breeze whispering through rows of corn, the smell of freshly harrowed earth, or the crunch of frost beneath my boots as I traverse the pasture below my grandparents’ house.

pasture

Now, I experience the strongest connection to the place and all its history on my late-night (or early-morning, as the case may be) walks from my grandparents’ to my mom’s, and this always reminds me of Grandpa once saying: “I get my religion watching the sun come up in the cornfield.” I imagine him cutting lettuce or digging carrots early in the morning, dew clinging to the tender leaves, the silence broken only by sparrows and crows taking flight, as he continues along the path that nine generations of Tuttles blazed before him. And in my own way, as I walk alone through the delicate early-morning silence on the farm, I find a religion of sorts as I marvel at the sheer magnitude of all that came before me and that which, even now, allows me to revel in these moments of joy and wonder.

When I left NH to “head west young man, head west,” I reached Grinnell with equal parts excitement and trepidation. My application essay (which I lament has been lost) told the story of a boy who loved his home, but who now hoped to bloom into a man by exploring the world in the newer, larger cornfields of Iowa. Indeed, my years at Grinnell altered my trajectory in ways which will, no doubt, continue to manifest themselves throughout my life (If in no other way, at least by allowing me the small pleasure of facetiously responding, “Childhood dream” to the query: “How did you end up at school in Iowa?”). Though my intention always was to return to NH and become involved in the farm and business, it was important for me to find my own place and purpose in the world, to test myself.

The ink still wet on my Anthropology degree, I moved to Chicago, the City of Big Shoulders, land of deepdish pizza and those “loveable losers” the Cubs, in August of 2002. What an adventure! Lucy and I found a small apartment, I got a job selling cars, and I imagined that living in Chicago would be exciting for a year or two before I returned home to begin building a life for myself on the farm. Of course, a year or two turned into a few years, which turned into five, which now has turned into the better part of a decade. I’m currently working my 5th job, living in my 5th apartment, and (phew!) only on my 2nd girlfriend, but Chicago has, over the years, become a familiar and comfortable place to me. It’s become my adoptive home as I’ve built a relationship with Marta, cultivated many close friendships, and started a career.

In October, 2009, I learned what I might have suspected for at least a year or two: that Mom and Uncle Will would, born of necessity, be listing the farm and store for sale within 6-12 months if business didn’t stage a dramatic about-face. We had all known, I think, that a tipping point was approaching, but this notion only became “real” to me when Mom and Will sat me down one afternoon in the tractor shed to tell me just how bad things had gotten. My mind churned constantly for the next few months trying to think of something – anything – that would forestall the loss of the farm and the traditions our family has built upon it. No small amount of that time was spent second-guessing myself, asking myself what might have been different if I had returned or even if I had never left. Would I have been able to prevent this? Could I have saved the farm? There are some questions life puts to us that may never be answered – questions like these. I will never know if I could have made a difference, but I will always wonder.

As I sat at Grandpa’s bedside on a cold December evening in 2002, looking upon the shell of a man who had always been a hero to me, I spoke to him privately of how important the farm was to me, how fortunate I felt to be part of something so meaningful, and how proud I was to be his grandson. That night, I promised him I’d return one day and find my place as part of our family’s nearly four-century tradition. This was not a commitment I took lightly, but I knew then, as I’d always known, that my purpose and future were intertwined with the ancestors my grandfather would soon join. Grandpa died later that night, and now that the sale of the farm is inevitable, I will never have the opportunity to fulfill the promise I made to him. I am certain, though, that Grandpa will forgive me, because in spite of the concern he undoubtedly felt about the farm’s future, I know that his children and grandchildren’s happiness was more important to him than the continuation of a tradition which was already fading when he passed.

Gee

A yellowed newspaper clipping on my old bedroom door reads: “Gee but it’s great to be back home…home is where I want to be,” a snippet from an old Simon and Garfunkel song hung there by Mom when I returned from St. Paul’s in 1993, a scared and homesick high school freshman. I’ve lived 1,000 miles from home for eight and a half years, but the farm will always be my home whether the name “Tuttle” is on the deed or if, after this incredible run, a new name is signed on the dotted line. We have all made lives, some on the farm, some far from it, but because of our shared origins – our home – we will always be a part of something much larger than ourselves. And that can never be taken from us.


Opening the Door

I’ve always thought I’d enjoy being a writer, but what to write about? The lightning bolt of inspiration that I imagine all authors receive had long eluded me until last week, when I finally hatched an idea for a story. Since then, I’ve been making notes and trying to flesh it out so that I feel like I have a place to start and a path to follow as I begin putting this down on paper.

Generally, I don’t have trouble coming up with ideas I think are marketable for inventions, businesses, websites, and so forth, but the motivation to see these ideas through to fruition has been difficult for me to muster. My tendency is to come up with an idea and then promptly talk myself out of pursuing it by reasoning that I don’t have the know-how, the resources, the time, the connections, etc. to realize it. Really, though, I just haven’t had the courage. I’ve already “written” my own story, and in it I’m an underachiever who has great ideas but simply can’t execute them.

That pattern needs to stop now. When I look at my life and realize that something isn’t working or that I’m not happy with what I’m doing, I need to make a change. No longer can I wait for life to open doors that I simply may walk through, but rather I must begin opening doors for myself. And the first door that must be unlocked is the one that leads to self-confidence and the belief that I CAN and WILL pursue my dream to write.